Capitals grown from glossy black alien anatomy: ribs and tendons running along every stroke, elongated skulls fused into the counters and a few limbs ending in claws. A bold slab shape holds underneath, so words still read fast. Eight alien portraits and two hand studies come with the set.
Letters grown, not drawn
Each capital looks like something that hatched into the shape of a letter. Ribs, tendons and elongated skulls fuse along every stroke, and a few limbs end in curled claws. The silhouette still holds a bold slab underneath, so words stay readable at a glance. Look at the G, for instance, and you will find two faces stacked inside it. Because no glyph repeats the same anatomy, a headline never looks tiled.
Wet black shell over ribbed sinew
The finish is wet black, closer to carapace than to paint. A hard rim light traces every ridge, meanwhile, which is what makes the forms read at small sizes. Shadows also sink deep into the grooves between the ribs. On white the letters cut out sharply, though on pink or red they turn genuinely lurid. The blacks never go dead flat.
